`Sunset Boulevard' production mixes the
cinematic with the theatrical
By ROBERT TRUSSELL - The Kansas City
Star
Date: 01/02/99 22:15
The touring production of "Sunset Boulevard," a musical adaptation of
the classic Billy Wilder film opening Tuesday at the Music Hall, is not
just another Theater League presentation.
This is something different -- a national tour with reputable artists
in which the local nonprofit presenting organization has actually invested
some of its own cash. (No, this is not one of those non-Equity shows the
league has occasionally slipped past its subscribers).
"Sunset Boulevard" is, of course, the work of Andrew Lloyd Webber (and
his collaborators, playwright Christopher Hampton and lyricist Don Black),
and it has had its ups and downs. It took the 1995 Tony Award for Best
Musical, but its initial tour didn't last long. Happily, the current
production enjoys certain advantages the previous tour did not -- namely,
a recognizable star.
Petula Clark, the former British pop sensation who has matured into a
60-something stage actress, plays the central role of Norma Desmond, a
delusional former silent-screen star, and has received positive notices.
Clark played the role in London. (The role of Norma was originated by
Patti Lupone in the West End and played by Glenn Close on Broadway).
Theater League's investment won't break the bank. It comes to about
$35,000, according to league president Mark Edelman.
"This is our second go-round with `Sunset,' " a huffing-puffing Edelman
said as he worked out on a Stairmaster in a Los Angeles gym. "The original
tour, the sort of no-star tour, was planned and ... we were in a
consortium of other presenters who loaned the Really Useful Company (Lloyd
Webber's producing organization) the money to do this."
The idea was that those presenters who put up money would be guaranteed
a booking of the show. Edelman said the league got its money back after
the first tour died without making it this far, and he said he had no
qualms about investing a second time.
"When the opportunity arose again we said, `Yes, we'd like the show to
come to Kansas City, but let's not make the same mistake again,' " Edelman
said. "So he (Lloyd Webber) approved Petula Clark, who had done the show
in the West End."
In the ensemble is Don Richard, a former Kansas City actor who was seen
in plays and musicals here for several years. Edelman said Richard's
presence was unplanned but he was glad that local audiences would be able
to see one of their own in a national tour.
According to Edelman, the league's modest investment of $35,000
contributed to an initial capitalization of about $6 million. The current
tour was able to take advantage of some of the work done for the first
outing, including $1.5 million worth of costumes.
Edelman said he was considering asking the league's board to invest in
"Jane Eyre," a show that was first performed in Wichita and later in
Toronto but has yet to make it to New York. (Richard, coincidentally,
appeared in the Wichita and Toronto versions.)
Over the years, Theater League has financed workshop productions of
musicals in development, and Edelman said he was always on the lookout for
promising material to get involved in.
"Sunset Boulevard," however, represents an actual investment.
"If `Sunset' is a big hit on the road we actually make money on our
fund balance," Edelman said.
In addition to presenting shows in Kansas City, the league also has a
presence in Phoenix; Tucson, Ariz.; Thousand Oaks and Long Beach in
Southern California; and Toledo, Ohio.
To reach Robert Trussell, theater critic for The Star, call
(816) 234-4765 or send e-mail to rtrussell@kcstar.com